Wednesday, October 21, 2015

A conversation with English author David Cook

 



In the past, I've stated that one of the highlights of writing and publishing THE SANCTITY OF LOVE AND WAR has been connecting with other writers.  It's always a benefit to share with other writers the process of writing itself, for no one but a writer fully understands the courage, sacrifice, dedication, and drive needed to begin and complete a writing project.  It's been a real pleasure getting to know English writer and published author, David Cook.  Recently, he was kind enough to take the time to share some thoughts about his latest writing endeavor -- the Fire and Steel Anthology connected with the five novellas that encompass his series, The Soldiers Chronicles: Liberty or Death (#1), Heart of Oak (#2), Blood on the Snow (#3), Marksman (#4), & Death is a Duty (#5). 

Here's what he had to say to some of the questions I posed to him:

For those readers who don’t know, what is the Fire and Steel anthology?

Fire and Steel is a compilation of the first 5 books of The Soldier Chronicles historical series. The stories; all novella's, are snap-shots of life as a different soldier in the period of long war 1793-1815. All fiction, but very much based on actual events.

What led you to revise and expand The Soldier Chronicle novellas now?

I wrote/finished Death is a Duty in April and fortune's good wheel allowed me to spend 9 days in June, Belgium, during the bicentenary anniversary of the Waterloo campaign. I was sat on the battlefield, high up where Napoleon's grande battery tried to shatter Wellingtons ridge, enjoying lunch with my good friend Adam, on the 18th - the day of the battle- and I overheard some Scotsmen (in full military redcoat campaign gear) talk and I thought I hadn't taken that into consideration with Adam Bannerman, the story's protagonist. So I made some corrections on the spot. I also had a chance to revisit the parts of the battle which I had written but not seen in the flesh. I was pleased to see I'd been miraculously good with positioning troops in my head in relation to the positions of the actual battle, who could see what, distances, that sort of thing.
With that in mind I then went back to the other four stories and re-edited them. I made corrections, re-jigged parts, expanded dialogues, and with the series now enhanced, I'm very pleased with the end result.

Fire and Steel comes from dialogue spoken in Blood on the Snow - I thought it was quite fitting to have the anthology named this way.

You’ve shared in the past that you gained your love of history, in part, thanks to the influence of your father.  How important do you think a working knowledge of the past is, especially as it pertains to younger generations?

I think it's not only extremely fascinating and wonderful to see how people lived in the past, it’s equally important that we keep their language, arts, beliefs, literature, and their knowledge alive. I honestly think we can learn from the past. And if we don't record or study it, then it will be lost to time. When the Romans left Britain sometime by the 5th century, the Britons and subsequent generations had no knowledge of how to build proper stone roads, bridges and buildings.
 
How would you describe your research & writing practices?


Research is never-ending. I enjoy it, but writing is the best part. I sketch out a rough idea what the story will be and let the characters take over. Sounds chaotic? Well, I've known authors who plot everything down the smallest detail. I've never been able to. I just let the writing flow.
 
What draws you to the time periods of which you write?
 
The Soldier Chronicles are standalone novella's. That is because they will form companion pieces to a planned series of work that I'd like to try down the traditional published route. If time, money, luck and talent have anything to do with it, that is. The novella's do touch the Revolutionary Wars period, 1793-1801, and the Napoleonic Wars 1803-1815, and it's the battles, uniforms, politics, military skill and characters that truly fascinate me.

At the core of each one of your stories is the journey of an individual soldier.  To go further, each of your novella’s heroes is forged by his experiences in war.  How do you as a writer get into the mindset of a soldier, particularly one who lived two centuries ago?

I read memoirs of combatants and try to understand what they went through. I've read letters from soldiers of the American Civil Wars, the two World Wars and as up-to-date with the conflicts of the Middle East. Uniforms, weapons and training always change, but at heart every soldier is the same, same emotions. Same human stories. I try to make the characters as human as I can. When soldiers that have survived battles and skirmishes when friends haven't and they have to carry on, it's very heart-breaking to read.

You’ve written 5 novellas to date in the Soldiers Chronicles.  Can you offer readers any glimpses of what to expect in book 6?

The 6th book is called Tempest and it's about the last invasion of Great Britain. 1797, a French force managed to slip through the wooden walls of the Royal Navy and land in Pembrokeshire, Wales. There they wanted to unite the workers, spread liberty and revolutionary zeal and burn the city of Bristol to the ground. Can they be stopped in time? Tempest will be out, Spring, 2016.

You live in Leicestershire, England – a history-rich locale, especially as it pertains to another period of history of which you’re interested…fifteenth century English Civil War known as The Wars of the Roses.  You’ve written a story about Robin Hood which has its place in that time period.  Any plans to write anything else about that tumultuous time in England’s history?

Yes, I've been very lucky to live in Leicestershire. Not only did I move here in time for Richard III to be discovered, but the correct site of the Battle of Bosworth was found. The county also saw action from the later English Civil Wars between King Charles and Parliament. And just across the border the Robin Hood legend stretches from Nottinghamshire to Derbyshire. The Midlands are rich in history. I love it! I've written about all of them, but when they'll see the light of day, I'm not sure. I will say that my Robin Hood tale, The Wolfshead, has been revisited in the Summer as the material on my tumblr blog and wattpad gets very high views and comments. So perhaps, watch this space...

As a whole, Americans have sometimes been accused of lacking a curiosity for or about anything historical.  What can you share with American readers that might entice them to turn to the historical fiction genre as a potential source of reading material?

I think it boils down to education. Not only from school teachers, but from parents. It's about educating and there's a fabulous site called www. gratefulamericanfoundation.com for adults and children. Someone wrote on there that ''reading history is not boring, it can enrich your life, open your eyes, improve skills and engage''. I agree. There are some brilliant works by authors who you are missing out on. For me it's like music; that feeling when you discover a new song or band and go ''I wish I had discovered you earlier in my life''. Yes, that happens to me a lot. Like I thought late 50's/60's music was terrible, then I listened to Buddy Holly, the Beatles, the Stones, Pink Floyd and suddenly there was all this great music I could have never known.
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For any lover of well-researched and written historical fiction or for anyone interested in learning more about the period of which David writes, I highly recommend the FIRE AND STEEL ANTHOLOGY.  I promise, it would be worth your time.
I want to thank David for taking the time to share his thoughts and for continuing to write worthy historical fiction.  I know I speak for many when I wish him the best in all his future writing endeavors!